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References, reflections, retrospective Reports of the art, oeuvre, biography, vita, work, development, exhibit, honorings, documents! An Odyssey belongs necessarily to the existence to be able to understand the laws of the life. To go in heaven of the God, it is not enough to obey the apprenticeships of people. Among the rest, every person has the function of a messenger, a facet, to take note the aspect of life under the magnifying glass to get to know the consequences.
which is the fact why it is hard for me to define a main focus in my work. I enjoy the luxury of being able to spend my whole life to the creative forces. For me it is not clear why I have deserved this privilege. Vita – min - B A decisive influence on my development of becoming an artist, had especially my narrow connection to the German art metropolises Kassel, the town of my birth, Cologne and Dusseldorf, as well as the musical adjustment in my family. My financial independence allows me free orientation, free work and traveling , presents, whose value is inestimable.
1966 change of location to the North Eifel, Euskirchen / Cologne 1970 school enrolment 1978 intensive contacts to the artist Gustav Breuer 1980 action art on the national holiday, 14th July, Carqueiranne / Côte of d' azure within German French friendship 1981 exhibition in the city hall Euskirchen 1981 exhibition at Marien's school Euskirchen 1981- 3 days of performance in Sacré Coeur 1981 action art Amsterdam 1982 Nice - interruption of the performance „ art and life in the Côte d'Azur “ after a Pileup at the place of the event. 1980, 1980-1983 acting 1983 winner of the open commpitive bidding “ art and environmental destruction “ Eifel 1983 change / beginning of the years of travel 1983 life and creation in the Provence 1984 orientation and Odyssey 1984 exhibion in the health resort house Bath Münstereifel: 1984 art und cultural trip for 4 weeks through France with Beuyss' student Rüdiger Axel Westphal – it ends in a quarrel- 1984 exhibition in the conveyor circle of contemporary culture / Euskirchen 1984 art journeys to Rome, Florence and Pisa 1984 intensive contacts to the music scene of Cologne and the region Eifel 1984, 1984-1985 lives in the South of France 1985 turning from the contemporary modern age to the old craft. 1986 survives unscathed the flash impact within spitting distance 1986 beginning of a long-standing creation period 1986 Paris / Louvre – studies the "astronomer" by Vermeer van Delft 1987 Paris / Louvre – studies the "geographer"by Vermeer van Delft 1987 contact with Fluxus – present of an art object with a value of 100000.-DM Destruction within the scope of a performance 1987-1992 cocreation of the Design-und art hotel "Eifelhotel" in Euskirchen 1987 exhibition in Euskirchen "chaos" 1987 exhibition in the art bar "Dada", Euskirchen 1988 move to the majority space studio Schleiden 1988 exhibition in the stage bar "Anonymous" in Bonn 1989 exhibition in Schleiden – old needlework / Swiftly In 1990 invitation to Art Cologne 1991 publication of the painting "catatonic defecation" as a front cover for the Cologne cult tape Kookaburras / Martin Pütz / Achim Bettermann - Big Noise Records 1991 birth of his daughter 1991 creative event for the inauguration of the art palace in North Germany the wall painting “ the holy cow “ originates in critical discussion with methods of the mass keeping of pets in collaboration with the artists Jean-Claude Cornelis and Ciamac Bazazzi – It comes to the eclat 1992 studies of the philosophy and quantum physics. Aldous Huxley takes with his work „ The Gates of the perception “ now the determining influence on the following development of the Artist. 1992 exhibition in a money- financial institution in Nortorf 1992 painting exposition in a money- financiall institution in Heide 1993 exposition in Itzehoe / Schleswig - Holstein 1993 exhibition in the cultural centre of the town Rhede, the birthplace of his wife 1993 Africa trip 1994 birth of his son 1995 art cooperation with Beuyss' student Rainer Maria Latzke and his brother A.M.C.Latzke 1996 excursion to the Near East 1996 break in the Cote d'Azur 1997 break in the Cote d'Azur 1998 visit of the Belgian cultural metropolises Brugge and Ghent. 1999 fire sculpture - the dynamic duet excites the minds. 2000 pacification of the cliffs of a Celtic cult site Eifel / Keldenich 2001 - 12 months of lasting work on the project “ art and sculpture in the living scenery “ 2002 guest's stay on Malta. Pilgrim's trip to the cultural centres. 2003 art opening in the old mill - Hanerau Hademarschen since 2004 yearly - 14th July to the French national holiday "Open House" with international guests 2005 Africa trip 2006 - 15 months of lasting work on a three-dimensional surrealistic mosaic 2007 equipment of the private recording studio 2007 opening from the Online gallery 2008 break in Dresden 2008 admission in the project “ garden routes between the seas “ Artist's garden Roland Rafael Repczuk - Publicity - the scope of the "Landesgartenschau"
 My eye . The facial sense gives me the perception of a visible world allows me examination and knowledge and is at the same time the entrance to psyche - soul - My soul is an artist and her tools are my eyes - my imagination - my hands - and the resonance with the universe. What has formed me to the creator of illusions? Why and how could I develop to an artist? There aren't many events kept in my mind. Maybe I have to owe it to the providence or the coincidence, that I saw the world differently after an ocular operation and getting the wrong glasses. By this, i was able to discoverthe world from a new prospect. Houses, persons, cars - everything was upside down- Often I was admonished to look through these glasses- my clamour was so long suppressed till my objections were silenced and I had to learn living with this interference- The world as those is reversible and nothing is like it seems. Very early I have felt mysrelf drawn to art and developed my own perspective These aspects in combination with each other also caused a lot of problems. At the beginning of the second year at primary school I started to fake the signatures of my parents, in order to avoid (amoung the rest) the discomfort of an attemp to deception. I have never been able to honor the jugglery of human authority. On the contrary. It provokes me to contradiction, and I cannot ignore the fact that this has developed a very unconventional way for me. Conflicts with the authorities of this society have shaped unambiguously my present life. Every controversy increased my disobedience and loud protest stirred the conflict in me. . Authority is the art of the conviction. Authority cannot be requested. Authority is earned. It is an honoring It testifies of high human qualities It is not documented. It is extremely swift. .  The emperor's new clothes Do experts of the art market need documents and reports to hide the emperor's new clothes? Or are they absolutely incapable to judge without securitization? I can bring no respect to these opportunists- In effect I only pile up a wall of opposition. Why I should I be on the recommendation of an art connoisseur forced to make a pilgrimage to a museum to look at fat and small, rancid sausages? Garbage containers have significantly more to offer than museum minimalism- Trick and pivot in the adjustment of art is basically the motive - profit The art market has neglected - to a marshalling yard of pushed works I go no more to the temples Instead I prefer to look at oil in the puddle. . Jobless art feeds the genius and as a result it is the biggest honoring an artist can get. With bread the mind, as everybody knows, does not receive his food. Nevertheless, trade with the art acts against the art by pulling them down in the material world and degrading them to consumer goods. Roland Rafael Repczuk . Oeuvre . Creation of:
 Art does not exsist to be defined. It is there to be experienced. The art in the art is not the work, but its interpretation. The modern art produces some mysteries which to comprehend is true art. The art in the art is to find somebody who finds again the art in it. It is no art to generate such pieces of art. The art consists in declaring these pieces of art as art and in selling it. The true art of the recollection is the art of attention. The art of teaching is the art to help to discover. The art of pleasure is the art of illusion. Learning a lot and after all a lot of knowledge, is no art; Living and still dieing, this is the art. At all times when culture went to ruin it has fallen by artists.  The most precious luxury is the possibility to be allowed to work creatively. He protects, primarily, his luck of the admission of creative energy experiences itself in deep contentment considering artists and is released from the compulsion to get a dubious spare satisfaction by acquisition of consumer goods. Basically it is no decision. He lives a truth. Between the person and the objective world a very intimate relation exists. The world is delivered to the viewer ruthlessly. Innocent you reveal her most tender secrets, does not cve to her innocence will ward off discovered, conquered. If the unrestrained mechanically working person still tries to snatch her most tender most intimate, remains to the world only to work so mysteriously as possible, and to punish the person with his own pitiless reality. Art pacifies this war.
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