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Thoughts
are like clothes
Someday you change them and you bring them in the cleaning
Thoughts are quiet companions

I am neither dreamer nor realist
I become rich in the life
and the infinite aspects
of a forever changing reality
Their changeability forces me
to let not inflence me by the laws and truth
of people.
Life writes laws untiringly anew.
My thoughts are the originators of my destiny.
I carry the responsibility
to defeat that cacophony
caused by the tragic mistake
of my needs with my wishes
and the lack of trust towards a unique creation.
The
possibilities are always outdistanced by the wishes
In the confusion of need and wish
a permanent discontent remains
You cannot be constantly on search
with his people waiting and stealing
and watch love dieing an agonizing death.
Confinentially for a fair
principle, life owns,
every creature receives his space
In existence every person has
to find the duty on his own
and not to follow the paths and thoughts of others.
Thoughts are the most dangerous weapons
They live on the allegiance of opportunism
Truth from knowledge is a brief creature
and does not even last a lifetime.
Every new life, every thought
lives on the original
and it is only one facet of the whole
Every person can be like the trip
to an unknown land
The energy of the mind
The entanglements
Of your projections
Of your horizon
Of your trust
Your addiction
generate the energy of the mind
the result of your freedom
She exists in the choice of your responsibility
but not to file them
Your will
Your vitality
Your heart
Your soul
against
the fear
as if you set with her
is not reserved,
become a projectile
It is your last will
that the whole strength
takes everything with it
to the everlasting paradise
I will take up the fight
was the answer, standing in me
like a cliff
like a
world
like a
universe
like the
infinity
You are invincible
if you can´t
defend
Your actions
with
your life
it
is worthless
Where is God
God has, as a precaution,
built-in
already a God
in
every life
so he must not always be concurrently everywhere
As
creatures
we are
related
to the life in the water
In it all noises of the life can be found again
from the yelling of children
up to the rushing of the trees
The water cries
because it was separated from his beloved children
In this universe you need only three things
a rubber dinghy
bellows
and imagination

Like a drop in the big ocean of life, we
cannot compare ourselves to the sea / God.
We are an aspect of the whole and as a result able to feel the whole /
God.
The perfection of the divine energy is a rumor.
Person / God / energy has been generated by the confrontation.
God finds himself in a metamorphosis like we do.
As the drop (earthly life) in the spraying foam
it is hard for us to keep the momentary relation to the whole
/ God.
But still if we fall again in the ocean (death / eternity) we are
united again.
So all in all we have never left the sea, but just were able
to have a look at it from above.
With the reunion we carry the newly won aspects to the tallness / whole
/ God.
Why God should need new aspects. Why did this strength create
the living
matter carriing its breath. - Selfreflection is the answer! We are its
servants.
The sense of the existence is not situated in us, but in the
relation to the whole creation

Art and freedom
In the world of the communication it is not
possible to be
warded itself off her impressions and influence.
The
artists, stamped by
study and master,
cannot postulate his
spiritual freedom
he has found out already
the impulses of his distraction, by
exchange and adaptation .
Spiritual freedom is not really existent .
What is " an artistic independence "? Strictly speaking the
independence is an illusion.
Subject is: which dependence life has
chosen for me?
Which positions of my idealized world view I have to correct.
Which concessions I must do.
The works of present artists
feed themselves always from archetypes.
What is often presented as innovative, is only a infusion of
conventional drafts.
The hypothesis that an artist exclusively creates from
itself, is delusive.
This succeeds seldom in persuasive way.
A sign of the contemporarily
artist is
that more attention is payed to the artist as personality,
than to his work.
This was not in all epochs in such a way. Artists had to serve their
rule–
and from it, the unaffordable works which we admire today in the
museums of the world, have originated.
Artists were used and called like today plumber or electrician,
and with many-sided tasks (to get ready decorate, glide ...) looked.
You did not feel this at all as a degradation, on the contrary:
The multigifted and adaptable artist enjoyed high respect.
It seems
essentially to the artist to preserve his freedom.
The person and also the artist is stimulated by the influence of his
epoch.
The pieces of art of earlier times can be assigned more or less
unambiguously to a culture and her era.
The incest of the cultures in the course of the globalization leaves
his signature as the struggle for survival.
This fact bequeath signs also with the artists.
Absolutely, there are people who converge with the
uncompromisingly pitiless market
laws of the art commerce, nevertheless, to others the
inspiring and intoxicating creativity gets drowned.

Art and criticism
In a
phenomenological-creative-artistic process the works originate as
an oxidation of intuitive syntheses of experiences and experienced .
This happens too easily and undimensioned, as that you could claim
a preview on the result already before or during the process.
Intuitively artistic approach is one of many approaches, and can of
course contain
equally an investigating society-political component like a conceptual
work. The artist can come along to the task to operate as a
social
critic to deliver causes of thought,
by idealism and the ability of reflection.
But
you also must concede, however, the right of an
aesthetic approach with positive topic
to an artist.But who authorizes the
artist to judge the society about ethically moral values. Which
position takes the artist, if he finds himself as a judge above
society?. The consequence, that the artist has to operate as a social
critic is not to be concluded by the artist's pure existence.
This
view excludes quite naturally all artists who do not
bend to this stigma. Now the artist himself annexes the position of an
ignorant person.
To take position as an artist contrary to a society, requires contrived
works,
that in the broader sense alreadydo not count as real art anymore.
Now, The fact that the society grows to the enemy, can be a
result of the artistic work .
Artworks, that evoke reforms and admonish the community ,
originate necessarily in a culture, being in steady change.
Criticism originates from work because it was properly forced by
the work. Here, art does show obviously! As a
cultural-creative you should neither favor conformism nor appear as a
defender
of extreme positions. Uprightness and love of truth are the criteria
that produce good art. The right to the critical work must also walk
along
with the right to be allowed to question it.

.
Prejudices
The prejudices about the artist are as varied as the art and her
manifestations.
In the end, "artist" is a non protected job title. Here, a potpourri of
the most different effect areas is gathered.
The artists, painters, sculptors, acrobats, actors, musicians, dancers,
actors, magicians, authors, singers, conductors, directors, poets,
photographers ... form the foundation of culture.
Nevertheless, they must be content with the little being
intended for them.
An incredulous smile for the jobless art!
Artists are spinners.
The artist is hidden behind
extreme
theories, protects himself from the prejudices, among the rest, with
the much too long coat of arrogance, of loneliness, drugs.
Artist his is synonymous with getting uplately, drinking vast amounts
of wine and
absinthe, hashish smoking, enticing nice women , unusual
appearance, flanked by extravagances and excess. Bird of paradise and
lounger.
Swaggering like a cock, steps autocratically in the general public, no
money in the pocket, but constantly high.
As misjudged genius with depressions, misunderstood by the world , fighting in his uniqueness.
Prejudices?
Absolutely, the artist
stylizes himself
in the edge area of economic-social recognition, represents the values
of the inferior, presents himself with an
Exotic bonus, surrounds himself with the atmosphere of a stereotyped
artist's romanticism, means to be privileged.
Maybe they really are people with a special atmosphere and
slightly egocentric radiation.
Artists understand and experience the existence of this world in her
way and move away from the conformism, to the individual.
Their life-style engraves itself in their faces and their work.
Artists and their creating, generate a culture as a counterbalance to
the dreariness of technocratic slogans and their consequences.
Artist must be understood as a synonym of creatively working
professional guilds.
Primarily, the artist experiences his work by the
admission of creative energy.
Sign of his work is the
contemplation during the creative process and next, the communication with his audience.
Only with his passion and his truthfulness an artist raises his work to
art.
As variously as artists present themselves, as different are also their realities.
The artist is an individual and adapts himself to no pattern.
Beside his work, the artist delivers also important impulses to the
society by a nonconforme way of life. He is not
only a component but also
he is a decisive sponsor of his culture.
art
Poetry
of Art-long is the art, life is short. Art is the accomplice
of
the inconceivable inexpressible indescribable and unfathomable. Art is
a Laterna Magica. Art is a magic prism by whom the life appears and
reveals
us his true creations. Art is a kaleidoscope of ideas and its
fascinations. Art is the game of color of the dreams. Art is an
inspiration and the spring of contentment. Art is a mediator of the
illusion and fighter against the hallucinations of our reality. Art
is the most important assistant of the dream. Art is handy, visible
poetry. Art is the biggest quickchange artist.Art is a pantomime. Art
is a story narrator. Art is the religion for the soul. Art needs
spiritual emptiness around to generate the psyche. Art signifies to
reveal the spiritual in the person. Art is the main entrance to psyche,
genius, soul and spirit. Art is the saving shore in an unrestrained
world. Art accepts many forms. Art makes visible. Art is a component of
our indirect surroundings. Art leads us in other dimensions, art is the
process of an exposure. Art is a transformer of invisible worlds. Art
is a perspective of the reality. Art is the work in the culture. Art is
the breathing of creative energy. Art is passion. Art may nothing,
art does
everything
Life
I am an artist out of passion
I cannot live without artistic creating.
Thus I can say without being lofty that I live for art.
I have turned to the surreal symbolism and the fantastic realism,
because here cannot be found any restrictions . My
surrealism leads to the
fantastic deep-psychological symbolism.
My art is absolutely inexpedient for hasty time minds, because they
reveal her secrets only to that which carries the readiness of internal
rest
My pieces of art and oil paintings are proverbial poetry in pictures
The paintings are reflections of a soul, looking after
completeness and intactness.
They do not point, they tell stories.
A bad topic strangles the passion - to want to blossom in her.
With it every piece of art falls.
Society-political subjects have to be verbalized.
The art is the saving shore in a wild world.
Where can I still turn, if I am coveting for beauty
on the run before wicked depravity
and cannot even rest
any more with art.
Basically negative attributes are given to every person.
Consequently it may be generalized without hesitating.
Artists are exhibitionists. They are defeated necessarily by the danger
of the vanities, in the end, you have to exist in the general public.
This forces the withdrawal of her bad qualities again.
As a consequence the danger of an ambivalence is risen.
To be able to face this pressure it requires an amount of discipline ,
unless you sacrifices a reputation.
The fact that the artist, however, owns so little selfvalue depends on
his decadence.
Instead increasing his talents, art is projected choicelessly in the
surrounding .
Central issue is to leave "art".
Every person lives in a conflict
which results in the refusal to grow spiritually.
The person within the society, lives in a huge collective displacement
process.
The person does not recognize , but creates his reality.
Afterwards he complains of his prison.
Every person testifies he is a good person.
Then, where does the evil of this
world come from ?

Art
is like religion for the soul.
Artist and the effigies of their sordid souls
injure the harmony need of a culture.
Who needs spiritual
contents should read a good
book,
deal with philosophy and reflect his thoughts.
.
Art signifies, to make
visible the
spiritual in a person .
Opulent word tirades offering flimsy
interpretations are misplaced here.
They disturb the rest of a soul orientation.
Art needs spiritual emptiness , to generate the psyche.
Art is the religion for the soul.
.
In this sense, the art who reflects the perishableness of the world,
has exclusively provoking and material orientation,
but for the unison and balance searching Anima
a clearly damaging effect.
.
Pieces of art, who require a phrasing and certificates,
really do need them, otherwise they would expose
as the emperor's new clothes .
.
The person normally chooses the grief as a possibility of
self-awareness,
because the pain
of soul
is to be found more often
and in his depth and permanence of the contentment, he is incomparably
superior.
.
This fact is the advantage of an artist ,
who suffers likewise under the same stigma ,
exhibits the depravity of his psyche by his art,
markets and floats in the arms
of a poor brotherhood of like-minded people
searching
for
answer to his isolation ,
.
Here the artist denounces his
culture for a few miserable pieces of silver
Who deceives searching people, knows about his action
and vouches for the action with
the load for the soul.
Here the spiral starts moving
and in its mouth stands the end of every
truthfulness .
.
As well as the perfect person does not exsist,
it is possible to him to produce a perfect effigy of himself,
neither in the art nor in the love .
These instructions describe the perspectives known up to now,
nevertheless,which does not mean,
that even other aspects will not follow
to add
an even more complicated paradigm to our general
view
We change,while we carry the readiness in
ourselves
.
The reality forms up anew
my signpost is the indication,
the nearness to the impossible.

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