art@roland-rafael-repczuk.de

Experiences tell

Materials in the oil painting - visit in a gallery

I avoid no efforts for
the durability and robustness of my art works
For my paintings I just use
heavy thick-weaved linen from Belgium since nearly twenty years - 440 grams - 480 grams / m ²
Even if there are hard pushes, the canvas is not destroyed.
After the back-sided moistening with water
depressions leave the picture.

The priming exists of elastic distempers of own production, so that
also bigger movement (pushes) without remarkable tear education can help with the carrying

I choose my colors carefully under the aspect
of Brillianz and longevity.
Not only the choice of the high light fastness at the pigments
but also the vote with the binding agents decides on a fantastic color effect.
To mostly avoid dreaded yellowing I only use
special cleaned oils - bandage painting
 cleaned poppy-seed oil - spirits of turpentine balm cleaned - accelerator - Glaze pastes
Colors in own production by the use of lightproofed pigments of the highest quality,

The early and first works are on differently steady painting grounds.

Be a guest in the gallery "drawings""

My drawings are on high-class paper of Carl Schleicher and Schuell with some exceptions
The used pencils all come from Faber Castell
The accents by watercolors of greasepaint and Lukas

Sculptures and their production

For sculptures were used

multi color Granite - quartzites - basalt - sandstone - metal - glass - building materials
Cast stone from own manufacturing

the outside sculptures have got hardened massive core by granite
with a steel armourings
The coarse form became with concrete of middle tensile strength
the next equalizing with customary construction glue carried out
lime-based mineral mixture as dyed spatulas
formed and polished the external skin forms

Sculptures for the inside area-
if exist of alabaster Modelliergips
Massive gypsum sculpture with sunk - to brass elements
and glass application
The 3-rd dimension - sculpture and plastic bust figure monument
The art of the sculpture helps count to the oldest arts in the cultural history.
Here the wish founds itself to find out a piece of art spatially.
In contrast to the sculpture which is worked out from the material (subtraction)
if the plastic originates in the additiven procedure, from complementing of material (zb. Tone)

Aspects

Visit the gallery for mosaics - Win a new perception

Einblicke

Individual residential space drafts. Passion, esprit, Plaisir, idea and quality. Design architecture

milled profiles and low-cut curve elements from medium thick fiber record
 Colored glass - elements in Spezialanfertigungen from Metallguß - frame
of oriental ornaments - elements of the Jugendstil
Struktur-Fließ-Panele with arabeskem pattern
  Stucco - ornaments Lincrusta - frieze wall painting - golden pigments engaged
Acrylic - based dispersion

Know How

 Sgraffito and Illusion paintings

On the priming - the subsoil becomes with different technologies of the-Wandgestaltung-
Piece of bumf technology - fungous technology - compress technology - effect brush - effect glove
- deck painting - glaze painting-
a Maserierung generates and thus to the space the structure of the stone lent.

Veins and structures are chiselled in the plaster-
with lime-based mineral mixture as a dyed spatula-full and smoothed
Afterwards the sketching of pattern - ornament - architecture occurs
 She becomes integrated with glaze painting - deck painting in the priming coat
Finally become to the piece of art elements of the Trompe d'Oeil
added - the illusion is perfect





Roland Rafael Repczuk



Texts and titles Picture and Craft are spiritual
Property.

All pictures are protected by copyright.
Their use, completely or even
in extracts, it needs
a written approval.
Same counts to accompanying texts provided that not as a citation marked.